Archive for the 'wetplate' Category
Wednesday, May 18th, 2022
Inspired Series – Henrik Brahe and Gerhad Sokol
My inspired series is going on slowly, but for sure I captured wonderful people on metal plates. First you see Henrik Brahe. An archaeologist and photographer from Portugal. He brought me a wonderful book of his work. Find out more about him at http://henrikbrahe.com He visited with his beautiful wife Sanne. I could not resist to capture them together as well.
Gerhard Sokol is a well know photographer who captured history with his work. But after all these years in photography, he did not stop there, he went on to work with lots of different techniques. He also published a book recently that tis worth to buy. you can find his work and book on https://www.bilderges.at
More information about the Book (with beautiful prints and stories) and the Inspired Series: http://inspired.mhaustria.com
Thursday, May 12th, 2022
Growing Together – World Wet Plate Day 2022
I decided to participate this year for the world wet plate day. I discussed it with my girlfriend and she was the one who came up with the idea. First we thought to make it in one shot, but I couldn’t wrap the outcome into my mind because of the limited depth of field. So I came up with the double exposure solution. I was pretty happy with the outcome, but thought I could improve it a bit -> that was not my best idea (happy I did a scan before that). As you can see in the video, I got also unlucky with the varnish. So I am working right now on that to fix it. I will write about my result here on ma Patron page, you can support me and join here: Become a Patron!
Wednesday, May 4th, 2022
Building a Wet Plate Frankenstein Camera and Capture a Ghost
Corrine of www.corrinewestmedia.co.uk booked a wet plate workshop before the pandemic started. Two years later we were finally able to do it. The main subject was to get comfortable with the wet collodion process and to create images similar to the ones of spirit photographer William H. Mumler. Mr. Mumler created images (probably double exposures) where his clients could take a picture with their deceased relatives. The photograph of Mary Todd Lincoln with the “ghost” of her husband (Abraham Lincoln) was his most famous one. Corrine found my double exposure wet plates and that was the reason she contacted me in the first place. About two months before the workshop Corrine surprised me with a question: “Can we build a wet plate camera together?”. I talked with a friend and after a long visit at a DIY market I was sure that we can do it. A DIY Camera and capturing ghosts, that sounds like a fun workshop for me 🙂
I could not capture everything in the video, because I was focused to deliver a great workshop experience. So let me explain a bit here. I build a diy camera kit so to say. But I did not want to build everything. It was important for me that we put the major parts together in person, to really create a camera and an understanding how a camera works.
It took me a long time to figure everything out, I wanted to create a diy camera, that is adaptable and upgradeable without any special parts. It also should be able to shoot portraits and landscape and if something breaks, just go to your diy marked and get a replacement part. The only thing needed is my self designed camera back. I wanted to invent/adapt something that you can get in the market, but I was without luck finding such a part. The 3D printed design took many hours and a lot of filament to work as expected.
For the lens I went for a 150mm Leitz Dimaron (F2.8), Elmaron (F2.8) or Hektor (F2.5). These lenses have three things in common. 150mm is kind of a “normal” lens for the 4×5 large format and they all have the same diameter and not too expensive if you buy them online. All of them are pretty sharp as well as you could see in the video (this was a Dimaron)
The camera and lens support is build like this one in that posting: Camera and Lens support
For the Film/Plate holder I decided to go for the std international 4×5 holders. I had them water jet cut for a clean look and we modified it with silver wires, because these are more resistant against acid and fit into the silver nitrate workflow
We were super happy with our first result. The portrait looked awesome and the resolution of the lens is great. When you look closely at the video you will see, that we used two boxes for portrait distance.
https://blog.markus-hofstaetter.at/2019/12/ho-to-make-a-ground-glass-for-a-large-format-camera/
Here is a detail scan of Corrine’s eye – pretty impressive result of a 4×5 plate shot with a self made camera and a projection lens.
For the spirit photographs that are inspired by Mr. Mumler we wend for wet plate double exposures.
To make our live easier, we marked all positions with sticky tape on the ground.
We decided to use my Dallmeyer 3B Petzval lens for the first double exposure, because it fits better to the time when the original images were captured.
The second double exposure was a bit more modern, but also should get the ghost look. For that we used a Zeiss 300mm F4.5 Tessar lens. This lens is pretty new (about 2ß-30 years old) and is very crisp. I thought that makes more sense for this kind of image and also fits to the story (see caption of the image)
What a great 3 Day workshop that was. We created so many different portraits. (more in the gallery) and time flew so fast. At this point I want to say thanks again to Corrine for visiting my workshop and trusting me with the camera design. I looking forward to see what she will do for her PHD with the wet collodion process.
Tuesday, March 8th, 2022
Varnishing Wet Plates with Lukas Varnish
At an external event I had once the issue, that I could not get rid of the dust on the varnish. So I worked out this solution with Stefan Schubert. You can find the links to all tools here: list.mhaustria.com
Wednesday, March 2nd, 2022
Wet Plate Portrait Workshop at the Silvergrain Classics Academy
My todays vlog is about the wet plate workshop in Germany. This time I take you with me behind the scenes. For upcoming wet plate / Nassplatten workshops (German and English) visit http://ws.mhaustria.com
Thursday, February 3rd, 2022
Inspired Series – Hans Gerlach – Christian Jungwirth – Wolfgang Mlakar
Finally the inspired series goes on. Check the project page and register for news about the book here: inspired.mhaustria.com .
I met Hans by accident when I bought a part for my tripod on Ebay. After some calls we decided to do a project together. Check the outcome of it here: https://blog.markus-hofstaetter.at/2021/09/a-170-year-old-process-and-high-end-food-photography/ When I worked with Hans Gerlach this project, his passion about cooking and setting up a scene on a plate inspired me. Every tiny little thing was placed carefully and at the end of every session I got to eat the most wonderful food you can imagine. In the first portrait he hold a pair of tweezers, a tool he used a lot during our work together.
Christian Jungwirth @atelierjungwieth
I met Christian the first time during a Menschenbilder exhibition. He invited us to visit his atelier in Graz. It was a great experience to get a private tour through all these famous artworks of well known photographers. He organises lots of other exhibitions, one of them was the amazing Steve McCurry in Graz. Backlit portraits in an enormous size. Steve McCurry inspired me a lot and standing in front of these huge portraits made my eyes wet. You can find more about this exhibition here: https://blog.markus-hofstaetter.at/2021/08/news-amazing-steve-mccurry-exhibition-and-a-waterhouse-stop-database/
Christian is also an internationally popular commercial and magazine photographer. His work is stunning. Lots of people here in Austria know his famous chocolate covered portrait of Mr. Zotter of Zotter Chocolate
Wolfgang Mlakar
This Storie starts a little bit different. I met Wolfgang during a wet plate portrait session in Graz. He came up to me ans asked if I could do a portrait of him in his lighthouse keeper outfit. Austria is not famous for lighthouses, so I was interested what is behind all of this. He die a lot in his life, he was a forma photographer, he has a Diploma in Education for people with special needs, he worked as a photographer for the army and much more. He then had a rough time and needed to step back. He still needs help with some tasks, but at some point he decided for himself, that this can not be everything and started to help people who are in the need of help. With that he brings light into their lives.
It was a busy shooting day, but I figured If I let him sit down by the window with his little lighthouse, it makes the most of sense.
Wednesday, January 26th, 2022
Private Collodion Wet Plate Workshop
This year private wet plate workshops are popular. That’s the reason I show you the first one of 2022. It was great to work with Ronald https://www.instagram.com/mrronho/ the cool thing is, I got some great portraits as well. Thanks so much for coming to my studio!
List to all tools I use: list.mhaustria.com
Tuesday, January 18th, 2022
My Strobe gear with a Canon/Rollei/Westcott surprise
Often people ask me what strobes I use. Thats the reason of todays video. From digital to wet plate, I covered everything. But there is also a little surprise, that might be new for a lot of people. It’s about using the Canon ST-E3-RT remote with Rollei HS Freeze 2s, Westcott FJ200 and Jinbei Strobe. All details in the video and bellow. Find links to all the gear I use here: list.mhaustria.com
Please check the chapters in the timeline to jump to the part that is interesting for you.
By accident I figured out that the Rollei HS Freeze 2s and probably the Wetscott FJ200 / Jinbei HD-200 can be controlled with the original Canon ST-E3-RT remote trigger. All these brands have the same looking remote trigger (Westcott FJ-X2m, Jinbei TR-Q7II, Rollei Profi Funksender Mark II) that is advertised to work with Canon, Funji, Nikon, Olympus and any more. The Rollei I have really works well and if you work with different Camera brands, that is a wonderful solution. But after I switched the strobe to RT, I figured, it can be triggered and controlled with the Canon remote. So I called Rollei (they have an excellent service here in Europe) and asked them why I should use their remote to trigger the Rollei strobe and my Canon speedlites, when my Canon remote can do the same. They were surprised noted the remote I use and happily took their remote back. I can use even the integrated master function of the Canon speed lite 600EXRT to trigger the Rollei strobe.
There are some advantages of the original trigger: The original trigger has the advantages to reduce the strobe power for one more stop, turn beep on and off, turn modelling light on and off and enable freeze mode. But that is nothing I need to do in the field.
I tested everything only with the Rollei strobe, but I think there is a big chance, that this will also work with the other brands as well.
Strobes in this video: Canon Speedlite 600EX II RT, Canon Speedlite 430EX III-RT Flash, Canon Speedlite ST-E3-RT Speedlite Transmitter, Westcott FJ200, Rollei HS Freeze 2s, Hensel Expert D 250 Speed, Hensel Integra 1000 plus, Hensel Tria 3000AS Generator, Hensel EH Pro 3000 head, Hensel Tria 6000S Generator, Hensel EH Pro 6000 head
Wednesday, December 22nd, 2021
3D Printing for (analog) Photographers – Artillery Sidewinder X2 faild edition
Because I got asked a lot about 3D printing, I did this short introduction into it, or like I call it: let the fails continue.
It’s about the Artillery Sidewinder X2 and some broken parts. Very different to all these unboxing where everything works out of the box. I will show you also why a 3D printer can be very cool for photographers. Here you can find all tools I use for wet plate, 3D printing and filming: http://list.mhaustria.com
Tuesday, October 26th, 2021
Wet Plate Talk and on location shooting at Fomo Graz
Fomo Graz stands for Fotomonat Graz and translates to month of photography in Graz. The Fomo team invited me to do a talk and also shoot collodion wet plate portraits on location there. Thanks a lot for the invite it was such a great event and also thanks a lot to https://www.atelierjungwirth.com for letting me use your location to work on my portraits there. We had a blast, so many interested people during my talk. I really enjoyed explaining my favourite process to you guys. Also the wet plate portrait shoot was great, so many people wanted their portrait done. I think I shot 22 portraits on that day. Check out the video underneath for more impressions from this event. You an enjoy the video on a 4K screen with HDR support!
Check out these instagram pages from the people in the video: Fomo Graz , Ana, Luke, Julia
