Archive for the 'analog' Category
Friday, November 18th, 2022
Wet Plate Strobe Calculator with Light Modifier Comparison
How much power do I need for my wet plate setup? I get this and similar questions asked a lot. Thats the reason I build a calculator for that. With the calculator, there comes also a knowledge base. Because there is much more to know about strobes and the wet collodion process. This is exclusive for Patreon supporters (Tier 2). With tier 2 support you get, also wet plate troubleshooting, access to recorded Patreon videos, early access to videos and much more. Link to this Patreon posting: https://www.patreon.com/posts/wet-plate-strobe-74548519
More about the calculator in this video:
Wednesday, November 9th, 2022
Inspired Series – Jonathan Hetzendorfer
I eat mushrooms as a meat substitute more often these days and once I started to buy specialities like oyster mushrooms from Jonathan, it was like a game changer. I knew his shop long before his first TV appearance, but never met him in person before. When I talked with him for the first time it was inspiring to see how much passion Jonathan puts in his work. I also remember when I ordered a mushroom dish in a restaurant and saw the menu that said “Fresh oyster mushroom from Jonathan”.
You can tell he does something right, when gourmet chefs buy exclusively from him. Enjoy the video and if you are interested in a beautiful fine art print of that mushroom, just contact me here: https://www.markus-hofstaetter.at/pages/kontakt/
Wednesday, September 7th, 2022
Freilichtmuseum Salzburg Wet Plate Experience (rainy days)
Wet plate in the rain? Sure thats why its called wet plate 🙂 We had a great time in Salzburg and it was a pleasure to be there again. It’s great to do portraiture in these wonderful old houses. You have to visit this museum when you are nearby. It is totally worth it. The best time would be when I shoot portraits there 😉
Wednesday, August 31st, 2022
Wet Plate Expedition Part II – more portraits
In the first part of the expedition video I gave you the relaxing vibe I experienced there. In the second part want to give you some different views. I may have only shot one wet plate portrait for my inspired series of Lara Ješe. But I also shot two rolls of Kodak Vision 500 35mm film with my Canon EOS 50E camera. This film is hand cut in Vienna at lab of Mr. Wolczak. The lab also mixes the chemicals by them self to match the Kodak recipe. The results are the original Kodak Vision look. I love how this film renders colors. At the end of the workshop I set up a tiny photo studio with a strobe. I shot there portraits in digital and also with my Mamiya 645 afd II with two rolls of Ilford Pan F Plus 50. I pushed the film with one stop. And now comes the funny part. As you can imagine, I used the same setting on both rolls. And both rolls were develop together with the same chemicals. But somehow one roll has a totally different look (what I love). More about in the video. Thanks again for everybody for being such a great community and see you next you again at Borut’s event
Tuesday, August 23rd, 2022
A Wet Plate Collodion Experience in Slovenia
I went to Slovenia to join Borut Peterlin’s Wet Plate Experience. It was great and I had finally some time to slow down and find myself again. There were so many nice people there. I am glad I met everyone of you. I hope to see you guys again next year. This video reflects how I felt there and how it slowed me down. In a second part I will show an analog portrait series and talk a bit more about my experience there. You will also find another Artist in the video who joined my inspired series – Let me introduce you to Lara Ješe – Lara Ješe is an artist who loves to express her inner worlds through animal shapes. Step into her menagerie anytime and bring some snacks for the horses..
Thursday, May 12th, 2022
Growing Together – World Wet Plate Day 2022
I decided to participate this year for the world wet plate day. I discussed it with my girlfriend and she was the one who came up with the idea. First we thought to make it in one shot, but I couldn’t wrap the outcome into my mind because of the limited depth of field. So I came up with the double exposure solution. I was pretty happy with the outcome, but thought I could improve it a bit -> that was not my best idea (happy I did a scan before that). As you can see in the video, I got also unlucky with the varnish. So I am working right now on that to fix it. I will write about my result here on ma Patron page, you can support me and join here: Become a Patron!
Wednesday, May 4th, 2022
Building a Wet Plate Frankenstein Camera and Capture a Ghost
Corrine of www.corrinewestmedia.co.uk booked a wet plate workshop before the pandemic started. Two years later we were finally able to do it. The main subject was to get comfortable with the wet collodion process and to create images similar to the ones of spirit photographer William H. Mumler. Mr. Mumler created images (probably double exposures) where his clients could take a picture with their deceased relatives. The photograph of Mary Todd Lincoln with the “ghost” of her husband (Abraham Lincoln) was his most famous one. Corrine found my double exposure wet plates and that was the reason she contacted me in the first place. About two months before the workshop Corrine surprised me with a question: “Can we build a wet plate camera together?”. I talked with a friend and after a long visit at a DIY market I was sure that we can do it. A DIY Camera and capturing ghosts, that sounds like a fun workshop for me 🙂
I could not capture everything in the video, because I was focused to deliver a great workshop experience. So let me explain a bit here. I build a diy camera kit so to say. But I did not want to build everything. It was important for me that we put the major parts together in person, to really create a camera and an understanding how a camera works.
It took me a long time to figure everything out, I wanted to create a diy camera, that is adaptable and upgradeable without any special parts. It also should be able to shoot portraits and landscape and if something breaks, just go to your diy marked and get a replacement part. The only thing needed is my self designed camera back. I wanted to invent/adapt something that you can get in the market, but I was without luck finding such a part. The 3D printed design took many hours and a lot of filament to work as expected.
For the lens I went for a 150mm Leitz Dimaron (F2.8), Elmaron (F2.8) or Hektor (F2.5). These lenses have three things in common. 150mm is kind of a “normal” lens for the 4×5 large format and they all have the same diameter and not too expensive if you buy them online. All of them are pretty sharp as well as you could see in the video (this was a Dimaron)
The camera and lens support is build like this one in that posting: Camera and Lens support
For the Film/Plate holder I decided to go for the std international 4×5 holders. I had them water jet cut for a clean look and we modified it with silver wires, because these are more resistant against acid and fit into the silver nitrate workflow
We were super happy with our first result. The portrait looked awesome and the resolution of the lens is great. When you look closely at the video you will see, that we used two boxes for portrait distance.
https://blog.markus-hofstaetter.at/2019/12/ho-to-make-a-ground-glass-for-a-large-format-camera/
Here is a detail scan of Corrine’s eye – pretty impressive result of a 4×5 plate shot with a self made camera and a projection lens.
For the spirit photographs that are inspired by Mr. Mumler we wend for wet plate double exposures.
To make our live easier, we marked all positions with sticky tape on the ground.
We decided to use my Dallmeyer 3B Petzval lens for the first double exposure, because it fits better to the time when the original images were captured.
The second double exposure was a bit more modern, but also should get the ghost look. For that we used a Zeiss 300mm F4.5 Tessar lens. This lens is pretty new (about 2ß-30 years old) and is very crisp. I thought that makes more sense for this kind of image and also fits to the story (see caption of the image)
What a great 3 Day workshop that was. We created so many different portraits. (more in the gallery) and time flew so fast. At this point I want to say thanks again to Corrine for visiting my workshop and trusting me with the camera design. I looking forward to see what she will do for her PHD with the wet collodion process.
Tuesday, March 8th, 2022
Varnishing Wet Plates with Lukas Varnish
At an external event I had once the issue, that I could not get rid of the dust on the varnish. So I worked out this solution with Stefan Schubert. You can find the links to all tools here: list.mhaustria.com
Wednesday, March 2nd, 2022
Wet Plate Portrait Workshop at the Silvergrain Classics Academy
My todays vlog is about the wet plate workshop in Germany. This time I take you with me behind the scenes. For upcoming wet plate / Nassplatten workshops (German and English) visit http://ws.mhaustria.com
Thursday, February 3rd, 2022
Inspired Series – Hans Gerlach – Christian Jungwirth – Wolfgang Mlakar
Finally the inspired series goes on. Check the project page and register for news about the book here: inspired.mhaustria.com .
I met Hans by accident when I bought a part for my tripod on Ebay. After some calls we decided to do a project together. Check the outcome of it here: https://blog.markus-hofstaetter.at/2021/09/a-170-year-old-process-and-high-end-food-photography/ When I worked with Hans Gerlach this project, his passion about cooking and setting up a scene on a plate inspired me. Every tiny little thing was placed carefully and at the end of every session I got to eat the most wonderful food you can imagine. In the first portrait he hold a pair of tweezers, a tool he used a lot during our work together.
Christian Jungwirth @atelierjungwieth
I met Christian the first time during a Menschenbilder exhibition. He invited us to visit his atelier in Graz. It was a great experience to get a private tour through all these famous artworks of well known photographers. He organises lots of other exhibitions, one of them was the amazing Steve McCurry in Graz. Backlit portraits in an enormous size. Steve McCurry inspired me a lot and standing in front of these huge portraits made my eyes wet. You can find more about this exhibition here: https://blog.markus-hofstaetter.at/2021/08/news-amazing-steve-mccurry-exhibition-and-a-waterhouse-stop-database/
Christian is also an internationally popular commercial and magazine photographer. His work is stunning. Lots of people here in Austria know his famous chocolate covered portrait of Mr. Zotter of Zotter Chocolate
Wolfgang Mlakar
This Storie starts a little bit different. I met Wolfgang during a wet plate portrait session in Graz. He came up to me ans asked if I could do a portrait of him in his lighthouse keeper outfit. Austria is not famous for lighthouses, so I was interested what is behind all of this. He die a lot in his life, he was a forma photographer, he has a Diploma in Education for people with special needs, he worked as a photographer for the army and much more. He then had a rough time and needed to step back. He still needs help with some tasks, but at some point he decided for himself, that this can not be everything and started to help people who are in the need of help. With that he brings light into their lives.
It was a busy shooting day, but I figured If I let him sit down by the window with his little lighthouse, it makes the most of sense.
