Archive for the 'Dallmeyer' Category
Wednesday, November 9th, 2022
Inspired Series – Jonathan Hetzendorfer
I eat mushrooms as a meat substitute more often these days and once I started to buy specialities like oyster mushrooms from Jonathan, it was like a game changer. I knew his shop long before his first TV appearance, but never met him in person before. When I talked with him for the first time it was inspiring to see how much passion Jonathan puts in his work. I also remember when I ordered a mushroom dish in a restaurant and saw the menu that said “Fresh oyster mushroom from Jonathan”.
You can tell he does something right, when gourmet chefs buy exclusively from him. Enjoy the video and if you are interested in a beautiful fine art print of that mushroom, just contact me here: https://www.markus-hofstaetter.at/pages/kontakt/
Wednesday, September 7th, 2022
Freilichtmuseum Salzburg Wet Plate Experience (rainy days)
Wet plate in the rain? Sure thats why its called wet plate 🙂 We had a great time in Salzburg and it was a pleasure to be there again. It’s great to do portraiture in these wonderful old houses. You have to visit this museum when you are nearby. It is totally worth it. The best time would be when I shoot portraits there 😉
Wednesday, August 31st, 2022
Wet Plate Expedition Part II – more portraits
In the first part of the expedition video I gave you the relaxing vibe I experienced there. In the second part want to give you some different views. I may have only shot one wet plate portrait for my inspired series of Lara Ješe. But I also shot two rolls of Kodak Vision 500 35mm film with my Canon EOS 50E camera. This film is hand cut in Vienna at lab of Mr. Wolczak. The lab also mixes the chemicals by them self to match the Kodak recipe. The results are the original Kodak Vision look. I love how this film renders colors. At the end of the workshop I set up a tiny photo studio with a strobe. I shot there portraits in digital and also with my Mamiya 645 afd II with two rolls of Ilford Pan F Plus 50. I pushed the film with one stop. And now comes the funny part. As you can imagine, I used the same setting on both rolls. And both rolls were develop together with the same chemicals. But somehow one roll has a totally different look (what I love). More about in the video. Thanks again for everybody for being such a great community and see you next you again at Borut’s event
Tuesday, August 23rd, 2022
A Wet Plate Collodion Experience in Slovenia
I went to Slovenia to join Borut Peterlin’s Wet Plate Experience. It was great and I had finally some time to slow down and find myself again. There were so many nice people there. I am glad I met everyone of you. I hope to see you guys again next year. This video reflects how I felt there and how it slowed me down. In a second part I will show an analog portrait series and talk a bit more about my experience there. You will also find another Artist in the video who joined my inspired series – Let me introduce you to Lara Ješe – Lara Ješe is an artist who loves to express her inner worlds through animal shapes. Step into her menagerie anytime and bring some snacks for the horses..
Wednesday, May 18th, 2022
Inspired Series – Henrik Brahe and Gerhad Sokol
My inspired series is going on slowly, but for sure I captured wonderful people on metal plates. First you see Henrik Brahe. An archaeologist and photographer from Portugal. He brought me a wonderful book of his work. Find out more about him at http://henrikbrahe.com He visited with his beautiful wife Sanne. I could not resist to capture them together as well.
Gerhard Sokol is a well know photographer who captured history with his work. But after all these years in photography, he did not stop there, he went on to work with lots of different techniques. He also published a book recently that tis worth to buy. you can find his work and book on https://www.bilderges.at
More information about the Book (with beautiful prints and stories) and the Inspired Series: http://inspired.mhaustria.com
Wednesday, May 4th, 2022
Building a Wet Plate Frankenstein Camera and Capture a Ghost
Corrine of www.corrinewestmedia.co.uk booked a wet plate workshop before the pandemic started. Two years later we were finally able to do it. The main subject was to get comfortable with the wet collodion process and to create images similar to the ones of spirit photographer William H. Mumler. Mr. Mumler created images (probably double exposures) where his clients could take a picture with their deceased relatives. The photograph of Mary Todd Lincoln with the “ghost” of her husband (Abraham Lincoln) was his most famous one. Corrine found my double exposure wet plates and that was the reason she contacted me in the first place. About two months before the workshop Corrine surprised me with a question: “Can we build a wet plate camera together?”. I talked with a friend and after a long visit at a DIY market I was sure that we can do it. A DIY Camera and capturing ghosts, that sounds like a fun workshop for me 🙂
I could not capture everything in the video, because I was focused to deliver a great workshop experience. So let me explain a bit here. I build a diy camera kit so to say. But I did not want to build everything. It was important for me that we put the major parts together in person, to really create a camera and an understanding how a camera works.
It took me a long time to figure everything out, I wanted to create a diy camera, that is adaptable and upgradeable without any special parts. It also should be able to shoot portraits and landscape and if something breaks, just go to your diy marked and get a replacement part. The only thing needed is my self designed camera back. I wanted to invent/adapt something that you can get in the market, but I was without luck finding such a part. The 3D printed design took many hours and a lot of filament to work as expected.
For the lens I went for a 150mm Leitz Dimaron (F2.8), Elmaron (F2.8) or Hektor (F2.5). These lenses have three things in common. 150mm is kind of a “normal” lens for the 4×5 large format and they all have the same diameter and not too expensive if you buy them online. All of them are pretty sharp as well as you could see in the video (this was a Dimaron)
The camera and lens support is build like this one in that posting: Camera and Lens support
For the Film/Plate holder I decided to go for the std international 4×5 holders. I had them water jet cut for a clean look and we modified it with silver wires, because these are more resistant against acid and fit into the silver nitrate workflow
We were super happy with our first result. The portrait looked awesome and the resolution of the lens is great. When you look closely at the video you will see, that we used two boxes for portrait distance.
https://blog.markus-hofstaetter.at/2019/12/ho-to-make-a-ground-glass-for-a-large-format-camera/
Here is a detail scan of Corrine’s eye – pretty impressive result of a 4×5 plate shot with a self made camera and a projection lens.
For the spirit photographs that are inspired by Mr. Mumler we wend for wet plate double exposures.
To make our live easier, we marked all positions with sticky tape on the ground.
We decided to use my Dallmeyer 3B Petzval lens for the first double exposure, because it fits better to the time when the original images were captured.
The second double exposure was a bit more modern, but also should get the ghost look. For that we used a Zeiss 300mm F4.5 Tessar lens. This lens is pretty new (about 2ß-30 years old) and is very crisp. I thought that makes more sense for this kind of image and also fits to the story (see caption of the image)
What a great 3 Day workshop that was. We created so many different portraits. (more in the gallery) and time flew so fast. At this point I want to say thanks again to Corrine for visiting my workshop and trusting me with the camera design. I looking forward to see what she will do for her PHD with the wet collodion process.
Wednesday, April 27th, 2022
Bringing a 73KG High End Scanner Back to Life
Sometimes I ask myself, how do I get myself always into these enormous projects. Maybe this is how everything is supposed to be in my life. Or somebody putting these big pieces of work in front of my and tries to find out if I will ever give up. But thats where I a have to disappoint, I hardly give up on something.
I was looking for a bigger Scanner for many years, because I wanted to be able to scan my ultra large format wet plates. In the video bellow you can watch my full story. Underneath the video I will go into some details. Find out at the bottom of that post how you can support me and my work to make this postings/videos possible.
Here are some details about the Screen Cezanne Scanner:
- 53x34cm (13.4″ x 20.9″) reflective & transparency scan surface
- 5300dpi
- 32-bit CMYK, 48-bit RGB, 8-bit grayscale
- Interface SCSI II
- supported formats TIFF; DPS; DCS; SCITEX CT; JPEG; YCC
- 73kg heavy
- Software: Color Genius 2.1 and 1
Picking it up and bringing it home was a bit of a challenge. But somehow we managed to get it into my studio. Please be sure if you get yourself such a beast, that you put it into lock position before you transport it. Then you can also unmount its wing. Check the Maintenance guide here
Get as much information as possible from the large format forum thread https://www.largeformatphotography.info/forum/showthread.php?33565-Screen-Cezanne-Users-Unite
Yes, I could have just used the Power Mac (433mhz) that came with the Scanner and it would have been all over. But, then I had to use the use Firewire hdd, or USB 1 connections. Did anybody of you guys ever tried to copy large image files via usb 1.1? So USB 1.1 transfers with about 12 mbit, thats little under one megabyte a second. Believe me, you don’t won’t to copy many gigabytes over that connection. Other than that, the original Mac was pretty slow wit MacOs 9. All tools I describe here are listed here list.mhaustria.com
Thats the reason I got a used Power Mac G4 Quicksilver with dual 1.2 ghz and 2gig (I said wrongly 4gb in the video) of ram. You can see in the video how cool it is and that it came with an Apple Cinema Display in its original packaging.
While I set everything up, I got a scary surprise over night, luckily nothing was damaged. More about that in the video.
Even it was much faster, I needed to upgrade it with an USB 2 card (be sure to get one with a specific new chipset – (links to it at and everything else here list.mhaustria.com), an ssd, a Power Domain 2930 SCSI card (I got a sealed one, check it out in the video) and an PATA/SATA Adapter. This made the Mac really quick.
Long story short, cloning (with carbon copy cloner) everything on the ssd, did not bring any success. Because the old MacOS 9 would not run on the new Mac and the preinstalled Mac OS X would not support the SCSi controller.
Thats why I installed http://macos9lives.com and MacOS X 10.3.2 Panther from the apple website. MacOS creates easily a multi boot when you install one OS after the previous one. To connect remotely with screen sharing form Mac OS X to Mac OS X you just have to enable the feature. For Mac OS9 install this one: https://www.macintoshrepository.org/155-vine-vnc-server-3-5-for-os9
As you can se ein the video, coping files over 1gb ethernet connection is great. I can get about 60 Megabyte a second out of it. that is more than 60 times faster than usb 1.1
Now everything was setup and ready, I worked on a ultra large format wet plate. That was a great opportunity to see what the scanner can do. This is a 30x40cm collodion wet plate. Shot on an ultra large format camera with a Voigtländer Heliar Universal 360mm F 4.5 Lens
Now it is time for the first scans. The results are amazing. Just a little hint for reflective scans. Always try to use a black background, otherwise you get light bleeding into your image. The files this scanner produces are beautiful. There eis not much need of any post processing. That saves so much time. I love it.
For wet plate workshops (Nassplattenworkshops) check ws.mhaustria.com. For portraits wetplate.art or (German/Deutsch) wetplate.at and if you want to see more street portraits check street-portraits.eu
Also the negatives and positives look great. Check out the Gallery for more impressions
Thursday, February 3rd, 2022
Inspired Series – Hans Gerlach – Christian Jungwirth – Wolfgang Mlakar
Finally the inspired series goes on. Check the project page and register for news about the book here: inspired.mhaustria.com .
I met Hans by accident when I bought a part for my tripod on Ebay. After some calls we decided to do a project together. Check the outcome of it here: https://blog.markus-hofstaetter.at/2021/09/a-170-year-old-process-and-high-end-food-photography/ When I worked with Hans Gerlach this project, his passion about cooking and setting up a scene on a plate inspired me. Every tiny little thing was placed carefully and at the end of every session I got to eat the most wonderful food you can imagine. In the first portrait he hold a pair of tweezers, a tool he used a lot during our work together.
Christian Jungwirth @atelierjungwieth
I met Christian the first time during a Menschenbilder exhibition. He invited us to visit his atelier in Graz. It was a great experience to get a private tour through all these famous artworks of well known photographers. He organises lots of other exhibitions, one of them was the amazing Steve McCurry in Graz. Backlit portraits in an enormous size. Steve McCurry inspired me a lot and standing in front of these huge portraits made my eyes wet. You can find more about this exhibition here: https://blog.markus-hofstaetter.at/2021/08/news-amazing-steve-mccurry-exhibition-and-a-waterhouse-stop-database/
Christian is also an internationally popular commercial and magazine photographer. His work is stunning. Lots of people here in Austria know his famous chocolate covered portrait of Mr. Zotter of Zotter Chocolate
Wolfgang Mlakar
This Storie starts a little bit different. I met Wolfgang during a wet plate portrait session in Graz. He came up to me ans asked if I could do a portrait of him in his lighthouse keeper outfit. Austria is not famous for lighthouses, so I was interested what is behind all of this. He die a lot in his life, he was a forma photographer, he has a Diploma in Education for people with special needs, he worked as a photographer for the army and much more. He then had a rough time and needed to step back. He still needs help with some tasks, but at some point he decided for himself, that this can not be everything and started to help people who are in the need of help. With that he brings light into their lives.
It was a busy shooting day, but I figured If I let him sit down by the window with his little lighthouse, it makes the most of sense.
Wednesday, January 26th, 2022
Private Collodion Wet Plate Workshop
This year private wet plate workshops are popular. That’s the reason I show you the first one of 2022. It was great to work with Ronald https://www.instagram.com/mrronho/ the cool thing is, I got some great portraits as well. Thanks so much for coming to my studio!
List to all tools I use: list.mhaustria.com
Tuesday, October 26th, 2021
Wet Plate Talk and on location shooting at Fomo Graz
Fomo Graz stands for Fotomonat Graz and translates to month of photography in Graz. The Fomo team invited me to do a talk and also shoot collodion wet plate portraits on location there. Thanks a lot for the invite it was such a great event and also thanks a lot to https://www.atelierjungwirth.com for letting me use your location to work on my portraits there. We had a blast, so many interested people during my talk. I really enjoyed explaining my favourite process to you guys. Also the wet plate portrait shoot was great, so many people wanted their portrait done. I think I shot 22 portraits on that day. Check out the video underneath for more impressions from this event. You an enjoy the video on a 4K screen with HDR support!
Check out these instagram pages from the people in the video: Fomo Graz , Ana, Luke, Julia
