Archive for the 'collodion' Category

Tuesday, January 18th, 2022

My Strobe gear with a Canon/Rollei/Westcott surprise

Often people ask me what strobes I use. Thats the reason of todays video. From digital to wet plate, I covered everything. But there is also a little surprise, that might be new for a lot of people. It’s about using the Canon ST-E3-RT remote with Rollei HS Freeze 2s, Westcott FJ200 and Jinbei Strobe. All details in the video and bellow. Find links to all the gear I use here: list.mhaustria.com
Please check the chapters in the timeline to jump to the part that is interesting for you.

By accident I figured out that the Rollei HS Freeze 2s and probably the Wetscott FJ200 / Jinbei HD-200 can be controlled with the original Canon ST-E3-RT remote trigger. All these brands have the same looking remote trigger (Westcott FJ-X2m, Jinbei TR-Q7II, Rollei Profi Funksender Mark II) that is advertised to work with Canon, Funji, Nikon, Olympus and any more. The Rollei I have really works well and if you work with different Camera brands, that is a wonderful solution. But after I switched the strobe to RT, I figured, it can be triggered and controlled with the Canon remote. So I called Rollei (they have an excellent service here in Europe) and asked them why I should use their remote to trigger the Rollei strobe and my Canon speedlites, when my Canon remote can do the same. They were surprised noted the remote I use and happily took their remote back. I can use even the integrated master function of the Canon speed lite 600EXRT to trigger the Rollei strobe.


There are some advantages of the original trigger: The original trigger has the advantages to reduce the strobe power for one more stop, turn beep on and off, turn modelling light on and off and enable freeze mode. But that is nothing I need to do in the field.
I tested everything only with the Rollei strobe, but I think there is a big chance, that this will also work with the other brands as well.

Strobes in this video: Canon Speedlite 600EX II RT, Canon Speedlite 430EX III-RT Flash, Canon Speedlite ST-E3-RT Speedlite Transmitter, Westcott FJ200, Rollei HS Freeze 2s, Hensel Expert D 250 Speed, Hensel Integra 1000 plus, Hensel Tria 3000AS Generator, Hensel EH Pro 3000 head, Hensel Tria 6000S Generator, Hensel EH Pro 6000 head

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
  • Posted by Markus | Filed in collodion, Hensel, review, studio, wetplate | Comment now »

     

    Wednesday, December 22nd, 2021

    3D Printing for (analog) Photographers – Artillery Sidewinder X2 faild edition

    Because I got asked a lot about 3D printing, I did this short introduction into it, or like I call it: let the fails continue.
    It’s about the Artillery Sidewinder X2 and some broken parts. Very different to all these unboxing where everything works out of the box. I will show you also why a 3D printer can be very cool for photographers. Here you can find all tools I use for wet plate, 3D printing and filming: http://list.mhaustria.com

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools (including 3D print) I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
  • Posted by Markus | Filed in 3d print, collodion, dyi photography, wetplate | Comment now »

     

    Tuesday, December 14th, 2021

    Never give up – a 300mm Zeiss Tessar project with lots of fails

    In todays video I documented my fails (wood working and 3d printing with sidewinder x1 – also building plate change of the sidewinder x1) while I tried to mount my new lens on my camera. I got this lens, because I do more and more wet plate family portraits and for that I wanted a sharp affordable lens. Normally I would show you guys how I did a family wet plate portrait(its online now, scroll down for the second part). But I couldn’t do it, because of our lockdowns. So I worked on a self portrait. To make this easier, I turned my studio into a darkroom, so I can move without getting a ghosty image on the plate. Because I put metal sheets into the ceiling during my studio renovation, I could mount the red light easily with magnets. To see the whole story, watch the video 🙂

    First Part

    Second Part

    To find all the tools I used, check list.mhaustria.com

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
  •  

    Wednesday, November 10th, 2021

    Visiting Leica and Silvergrain Classics in Germany + Portra 400 c-41 developing included

    In todays video I travel to Germany to prepare my Silvergrain Academy MasterClass wet plate workshop (click here for the workshop). I did also an Interview for the Silvergrain Classics, visited the Leica Headquarters and documented development of my Portra 400 film in the Silvergrain Classics lab.

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
  • Posted by Markus | Filed in analog, collodion, preparation, workshop | Comment now »

     

    Thursday, September 30th, 2021

    Wet Plate Portraits at the Salzburger Freilichtmuseum

    In todays video I show you some impressions of my on location wet plate shooting in Salzburg at the Salburher Freilichtmuseum. We had so much fun – it was great!

    Thanks for the photos to: https://instagram.com/arturmughrabi https://instagram.com/bilder_schmiede https://instagram.com/drea.koch https://www.facebook.com/dachsteindesign

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here shirts.mhaustria.com

  • For online wet plate workshops, visit this http://online.mhaustria.com

  • For private wetplate workshops (Nassplattenworkshop contact me here: http://www.markus-hofstaetter.at/pages/kontakt/ (German and English available)

  • Get the latest news with my newsletter here: https://blog.markus-hofstaetter.at/newsletter-2/
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    Wednesday, September 22nd, 2021

    a 170 year old process and high end food photography

    everybody knows that I work exclusively on collodion wet plate portraits. So what’s the reason for food photography now? Let me try to explain. Many of you guys will remember that I bought a Cambo studio stand some while ago (https://blog.markus-hofstaetter.at/2021/02/my-new-150kg-studio-stand-that-is-from-1957-cambo-ast/ ). A little bit later I bought a used tray for it on Ebay. The seller was very friendly and somehow we started to talk about photography. Long story short, a month later we decided to do a project together. After months of planing, Hans Gerlach (a well known food photographer and columnist) drove over to my studio and brought his tools and some delicious food with him. Additional food for this shooting came from my garden, this way I could bring a bit more into the project besides my wet plate photography. During the planing period we discussed different dishes, their colours and how they would appear on a tintype (the wet collodion process only sees blue light and therefore red colours will turn black and blue white). We saw this come together as kind of a first test and wanted to see what what we could create. For me it was very interesting to have a chef working in my kitchen.

    I enjoyed it a lot to watch a chef doing his thing

    I suggested the 13x18cm format, because the camera is not too huge and can be easy mounted over head. We can get a bit more depth of field because of this smaller format. And I have a beautiful 250mm Zeiss Tessar lens that I can stop down to about F16 without having to long exposure times (two Hensel generators with 9000 w/s together helped to archive that and remember, its called wet plate, because the plate needs to be wet the whole time and can not dry). I mounted this beauty of a lens on my 13x18cm Mentor camera (check this article for my renovation of the beauty: https://blog.markus-hofstaetter.at/2021/08/shooting-wet-plate-portraits-with-an-affordable-large-format-bokeh-monster/ )

    Even I know the Cambo tripod and the Mentor camera is made for such operation, it still looks a bit scary

    Even this studio Mentor camera and the tripod are meant for that kind of work, it felt funny to see my tools in that position.

    While I prepared everything in my darkroom, Hans Gerlach did his magic in my kitchen. We were very excited to work on the first plate. And after we saw the result, we were even more excited, the outcome was gorgeous. So we worked very long on the first day (I think I went to bed at 4 am). But it was not all glory. We shot so many plates, that at some point my silver nitrate bath went bad. First I thought it was the collodion, the fixer and the developer, but after I changed all of that(I am always good prepared for important shootings and create everything twice or even three times) and still got funny looking plates, I know I need to change the silver nitrate bath.

    A lot of troubleshooting was involved to make this go away

    After I changed the bath, everything was fine again and we could go on with the shooting.

    sourdough bread with butter and welsh onion

    We shot many different styles of the sourdough bread until we were happy with the outcome. This is one of our favourites plates. To hold it in our hands after months of planing and all the work we put together was wonderful. If you are interested in a print of this plate or any other, check out this link: prints.mhaustria.com

    But this little setback should not be the only thing that kept me busy this day. After shooting many plates, my modified wet plate holder made my life a bit harder. Sometimes the plate won’t stay in place and the end result of that was a scratched plate….

    this is something every wet plate artist have to face from time to time

    I quickly solved the problem with a little redesign on the plate holder and from that on I was able to shoot without any problem. Before capturing every new dish, we were excited to see how it will turn out.
    And most of them turned out great, I really like the beans and the spoon with chocolate mousse. The sheer amount of detail and texture of these scans from the wet plates are just incredible. They will look amazing on a big print.

    green beans with whipped goat cheese and fennel flowers
    This will look great on a big canvas

    spoon with chocolate mousse grated chocolate

    To get as much done as possible, I scanned all 13x18cm (about 200mpix) and 18x24cm (about 300mpix, I decided later to do two bigger plates too) plates at night and also varnish them afterwards. So this night was quite short 🙂

    I shot the bigger plates with a 150 year old Dallmeyer 2b Petzval lens to mix the this delicious bread with the beautiful swirly bokeh from this old lens. I really like how this plate turned out and how the out of focus areas look like.

    sourdough bread with welsh onion and radishes
    It amazes me again and again how sharp these old lenses are

    After these intense shoots, we were always rewarded with great looking plates amazing tasting food.

    I am still dreaming f that desert

    Hans created also amazing tasting handmade pasta

    culurgiones – sardinian ravioli with wild herbs

    To give you guys a much better idea of this shooting, I tried to captures as much footage as possible to bring you behind the scenes with this video

    On thing is sure, we enjoyed our work together a lot and will do more like that in the future, but that needs again lots of planning. I am very happy that I met Hans and his work inspired me (yes there is also a inspired portrait coming up). I really look forward to our next shooting together (and yes, I also look forward to eat everything 🙂

    Because I get asked very often about the tools I use for the wet plate process, I created a shopping list here: list.mhaustria.com

  • Get yourself a beautiful print here: http://prints.mhaustria.com
  • Looking for wet plate gear? http://gear.mhaustria.com
  • Buy me a tea: https://www.buymeacoffee.com/mhaustria
  • Patreon: https://www.patreon.com/mhaustria
  • Get cool analog shirts here shirts.mhaustria.com
  • For online wet plate workshops, visit this http://online.mhaustria.com
  • For private wetplate workshops (Nassplattenworkshop contact me here: http://www.markus-hofstaetter.at/pages/kontakt/ (German and English available)
  • Get the latest news with my newsletter here: https://blog.markus-hofstaetter.at/newsletter-2/
  •  

    Tuesday, September 7th, 2021

    Mobile Darkroom: Advanced Eskimo Quickfish 3 modification

    I did a darkroom tent review some time ago and I still like that one, but after using a quickfish3 at the camera obscura festival I fell in love with it, because it’s much easier to setup. I also enjoy the extra space I got in this tent.

    Maybe some of you may ask why I do a video about it. Let me explain: I talked with others how they modified their tent to make it light tight and got lots of great feedback. But I wanted to go for a more final solution, so I started digging. Lots of people use normal acrylic spray to close the little holes in the tent. Others use paint made for rims. To cover the zipper, people use a black reflector or a big towel to cover it. But this things are always in my way and I have to take them with me. After talking with professionals I figured that screen painting ink should be a final solution to cover holes, because it is designed to grab onto the structure of a fabric. A call with https://www.siebdruckladen.de was super helpful and brought me the final solution – thanks a lot for that. For the zippers, my girlfriend had the idea to get some kind of zipper cover, like you have it on your jeans. For that I went to a shop that sells tons of different fabric (https://textil-mueller.at) and got some stiff one. First I was thinking to sew it somehow to the tent, but then I went for glueing. There is so much different glue for fabric out there, most of must be ironed and that was something I did not like to do on my tent. So I called https://www.henkel.at and asked what glue would be the best. They forwarded my question to a technician. He called me back and explained in detail what to use and how I should use it. What a great support, thanks a lot guys! There is no sponsored content here, I just show you guys what worked well, so you guys don’t have to figure it out by yourself. Find all the links on the bottom of the post.
    Check the video for a more detailed explanation how I did everything.

  • Get yourself a beautiful print here: http://prints.mhaustria.com
  • Looking for wet plate gear? http://gear.mhaustria.com
  • Buy me a tea: https://www.buymeacoffee.com/mhaustria
  • Patreon: https://www.patreon.com/mhaustria
  • Get cool analog shirts here shirts.mhaustria.com
  • For online wet plate workshops, visit this http://online.mhaustria.com
  • For private wetplate workshops (Nassplattenworkshop contact me here: http://www.markus-hofstaetter.at/pages/kontakt/ (German and English available)
  • Get the latest news with my newsletter here: https://blog.markus-hofstaetter.at/newsletter-2/
  • Affiliate Links

    my old growtent lighthouse max
    My used one: http://gear.mhaustria.com
    On Amazon de: https://amzn.to/3DObCOJ

    Eskimo Quickfish 3
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    I ordered mine here they ship to Europe: http://www.moreoutdoor4u.com

    Peelable paint Abziehlack
    Similar Version worldwide: https://amzn.to/3DOWm4f
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    Screenprinting Paint – Siebdruckfarbe
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    If you can’t order there, get similar items here:
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    I would not suggest to buy the fabric onlien, go to a local store and look for a stiff one.

    Pondliner – Teichfolie for the windows and the bottom of the tent
    International: https://amzn.to/3DOg4gphttps://amzn.to/3BMdcPu – this should be big enough for the tent and the windows.
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    Don’t get a cheap one, you will regret it.

    Velcro – Klettverschluß for the windows – calculate for 8 windows
    International: https://amzn.to/3n4BShZ
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    small foldable table – mine is made of wood and I can not recommend it anymore, thats the one I will get after mine is totally gone
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    Water canister with
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    I will get a foldable version soon too:
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    Rugged Erxplorer or pelican cases
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    Traveling Tanks:
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    Coleman Extreme cooler – choose the size you like
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    Lifetime Table 60kg:
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    Jiga wireless powerbank:
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    Clips to mount the led strip on the tent:
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    Germany: https://amzn.to/3DJKyQC

     

    Tuesday, August 24th, 2021

    How to remove Scratches from Tintypes varnished with Sandarac

    There is nothing more annoying as scratches in your sandarac varnish. In todays video I show you how to make many of the go away. For that you let the varnished plate breath alcohol in a closed container . after about 15 minutes (you will smell it), the varnish will get sticky again and because of that small scratches will disappear. After you are happy with the result, you heat the plate to cure the varnish again. always cover the plate as good as possible with a tray or something else, to avoid dust on it. See the full explanation in my video


    Affiliate links to used products



    Posted by Markus | Filed in alumitype, analog, collodion, sandarac, tutorial | Comment now »

     

    Wednesday, August 11th, 2021

    Inspired – Borut Peterlin – photographer and wet plate artist

    Borut’s work is very inspiring, he works with so much passion on his beautiful artworks. His documentations on his Youtube Channel are artworks by themselves. No wonder he was on my list for the inspired project. And most people don’t know, he has Ninja reflexes too – he bought my 3B lens mid air when it was on its way down to the ground. Thanks a lot for that Borut! His blog: https://borutpeterlin.wordpress.com and YouTube channel https://www.youtube.com/channel/UCCjjZ-Qc43dF7xHBC92MAuA

    Get yourself a beautiful print here: http://prints.mhaustria.com

    Looking for wet plate gear? http://gear.mhaustria.com

    Buy me a tea: https://www.buymeacoffee.com/mhaustria

    Patreon: https://www.patreon.com/mhaustria

    Get cool analog shirts here shirts.mhaustria.com

    For online wet plate workshops, visit this http://online.mhaustria.com

    For private wetplate workshops (Nassplattenworkshop contact me here: http://www.markus-hofstaetter.at/pages/kontakt/ (German and English available)

    Get the latest news with my newsletter here: https://blog.markus-hofstaetter.at/newsletter-2/

     

    Wednesday, August 4th, 2021

    Shooting Wet Plate Portraits with an affordable Large Format Bokeh Monster

    I should stop calling these “Short Projects” short projects. It didn’t take that long, but still longer as expected.
    After I bought it at the Camera Obscura Festival
    But I still think if you are looking for a affordable large format wet plate camera, you should have a look at the Mentor camera brand. Most of them are build like a tank (Remember, I got another Mentor too, where I did double exposures with: https://youtu.be/y0ccDnXw9xE) and easy to repair. The cool thing of this camera is the curtain shutter and strobe connector. It has also all movements you can imagine, great for architecture, product (or food) photography.
    For the wet plate process, you want to look for a fast lens, but these are mostly pretty expensive. Thats why projection lenses are a good options, but most of them are triplet designs – but there are others too, like the Leitz Hektor 200mm F 2.5 that covers 13x18cm plates in portrait distance easily and has 4 glass elements instead of the classic triplets. be aware that the depth of field is razor thin on that lens. I have a second one for sale here http://gear.mhaustria.com with other camera gear I only use very rarely. So I would be happy if this finds someone who uses it again. I just collected to much gear….
    In the video, I show you how I repair all the little blemishes of the camera and add two Lenses to it. I even build two lens plateadapters. One to mount lenses from my Century camera to the Mentor and one to mount Linhof Lenses to the Century camera. Check my Thingverse too, I will post some of them there if I am happy with them. . The more I get comfortable with my 3D printer the more I use it, that reflects also in this project. Even some prints take pretty long (my longest one was 16 hours), it saves me lots of time, because I can do different things in-between. And some of the designs would have been much harder to create with traditional wood/metal working.
    I really like how the camera, lens plates and wet plate holder turned out. This will be used on many during my workshops (for English ones contact me here)in the future And I am also very happy that Tanja of https://www.unikat.pictures/ helped me out to model for me. Thanks a lot!
    If you liked this kind of projects and want to support my upcoming ones, you ca do that here

    Get yourself a beautiful print here: http://prints.mhaustria.com

    Get cool analog shirts here shirts.mhaustria.com