Archive for the 'headshots' Category

Wednesday, September 7th, 2022

Freilichtmuseum Salzburg Wet Plate Experience (rainy days)

Wet plate in the rain? Sure thats why its called wet plate 🙂 We had a great time in Salzburg and it was a pleasure to be there again. It’s great to do portraiture in these wonderful old houses. You have to visit this museum when you are nearby. It is totally worth it. The best time would be when I shoot portraits there 😉

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Wednesday, August 31st, 2022

    Wet Plate Expedition Part II – more portraits

    In the first part of the expedition video I gave you the relaxing vibe I experienced there. In the second part want to give you some different views. I may have only shot one wet plate portrait for my inspired series of Lara Ješe. But I also shot two rolls of Kodak Vision 500 35mm film with my Canon EOS 50E camera. This film is hand cut in Vienna at lab of Mr. Wolczak. The lab also mixes the chemicals by them self to match the Kodak recipe. The results are the original Kodak Vision look. I love how this film renders colors. At the end of the workshop I set up a tiny photo studio with a strobe. I shot there portraits in digital and also with my Mamiya 645 afd II with two rolls of Ilford Pan F Plus 50. I pushed the film with one stop. And now comes the funny part. As you can imagine, I used the same setting on both rolls. And both rolls were develop together with the same chemicals. But somehow one roll has a totally different look (what I love). More about in the video. Thanks again for everybody for being such a great community and see you next you again at Borut’s event

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Wednesday, June 29th, 2022

    Great Exhibitions in Austria with my Portraits and more

    I am very exited about these exhibitions! In the first exhibition, at the beautiful Ottenstein Castle are presented 5 pieces of my work. This place is amazing! The exhibition in Persenbeug shows 10 huge pieces of my work directly at the Danube – the exhibition is called Kopf Herz Hand (Head Heart Hand) and is about passionate artists. The Festival La Gacilly in Baden is also a must see. With 7km length and about 1500 images it is amazing. I had my Work there shown the last three years, but did not make it this year.

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Wednesday, May 18th, 2022

    Inspired Series – Henrik Brahe and Gerhad Sokol

    My inspired series is going on slowly, but for sure I captured wonderful people on metal plates. First you see Henrik Brahe. An archaeologist and photographer from Portugal. He brought me a wonderful book of his work. Find out more about him at http://henrikbrahe.com He visited with his beautiful wife Sanne. I could not resist to capture them together as well.

    Gerhard Sokol is a well know photographer who captured history with his work. But after all these years in photography, he did not stop there, he went on to work with lots of different techniques. He also published a book recently that tis worth to buy. you can find his work and book on https://www.bilderges.at

    More information about the Book (with beautiful prints and stories) and the Inspired Series: http://inspired.mhaustria.com

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Wednesday, May 4th, 2022

    Building a Wet Plate Frankenstein Camera and Capture a Ghost

    Corrine of www.corrinewestmedia.co.uk booked a wet plate workshop before the pandemic started. Two years later we were finally able to do it. The main subject was to get comfortable with the wet collodion process and to create images similar to the ones of spirit photographer William H. Mumler. Mr. Mumler created images (probably double exposures) where his clients could take a picture with their deceased relatives. The photograph of Mary Todd Lincoln with the “ghost” of her husband (Abraham Lincoln) was his most famous one. Corrine found my double exposure wet plates and that was the reason she contacted me in the first place. About two months before the workshop Corrine surprised me with a question: “Can we build a wet plate camera together?”. I talked with a friend and after a long visit at a DIY market I was sure that we can do it. A DIY Camera and capturing ghosts, that sounds like a fun workshop for me 🙂

    I could not capture everything in the video, because I was focused to deliver a great workshop experience. So let me explain a bit here. I build a diy camera kit so to say. But I did not want to build everything. It was important for me that we put the major parts together in person, to really create a camera and an understanding how a camera works.

    the camera kit

    It took me a long time to figure everything out, I wanted to create a diy camera, that is adaptable and upgradeable without any special parts. It also should be able to shoot portraits and landscape and if something breaks, just go to your diy marked and get a replacement part. The only thing needed is my self designed camera back. I wanted to invent/adapt something that you can get in the market, but I was without luck finding such a part. The 3D printed design took many hours and a lot of filament to work as expected.

    The first prototype of the camera back with an international film holder

    For the lens I went for a 150mm Leitz Dimaron (F2.8), Elmaron (F2.8) or Hektor (F2.5). These lenses have three things in common. 150mm is kind of a “normal” lens for the 4×5 large format and they all have the same diameter and not too expensive if you buy them online. All of them are pretty sharp as well as you could see in the video (this was a Dimaron)

    one lens mount, lots of options without breaking the bank

    The camera and lens support is build like this one in that posting: Camera and Lens support

    For the Film/Plate holder I decided to go for the std international 4×5 holders. I had them water jet cut for a clean look and we modified it with silver wires, because these are more resistant against acid and fit into the silver nitrate workflow

    std 4×5 film holder modified for the wet collodion process

    We were super happy with our first result. The portrait looked awesome and the resolution of the lens is great. When you look closely at the video you will see, that we used two boxes for portrait distance.

    the ground worked also great – here is a explanation how we did it
    https://blog.markus-hofstaetter.at/2019/12/ho-to-make-a-ground-glass-for-a-large-format-camera/
    For me it’s always exciting to see my idea come to life.

    Here is a detail scan of Corrine’s eye – pretty impressive result of a 4×5 plate shot with a self made camera and a projection lens.

    a scan of Corrine’s eye with my Screen Cezanne Scanner

    For the spirit photographs that are inspired by Mr. Mumler we wend for wet plate double exposures.
    To make our live easier, we marked all positions with sticky tape on the ground.

    tape is always your friend for any photography project

    We decided to use my Dallmeyer 3B Petzval lens for the first double exposure, because it fits better to the time when the original images were captured.

    William H. Mumler. inspired wet plate double exposure

    The second double exposure was a bit more modern, but also should get the ghost look. For that we used a Zeiss 300mm F4.5 Tessar lens. This lens is pretty new (about 2ß-30 years old) and is very crisp. I thought that makes more sense for this kind of image and also fits to the story (see caption of the image)

    Profession – Yesterday, Today and Tomorrow An image about photography has changed

    What a great 3 Day workshop that was. We created so many different portraits. (more in the gallery) and time flew so fast. At this point I want to say thanks again to Corrine for visiting my workshop and trusting me with the camera design. I looking forward to see what she will do for her PHD with the wet collodion process.

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Wednesday, April 27th, 2022

    Bringing a 73KG High End Scanner Back to Life

    Sometimes I ask myself, how do I get myself always into these enormous projects. Maybe this is how everything is supposed to be in my life. Or somebody putting these big pieces of work in front of my and tries to find out if I will ever give up. But thats where I a have to disappoint, I hardly give up on something.
    I was looking for a bigger Scanner for many years, because I wanted to be able to scan my ultra large format wet plates. In the video bellow you can watch my full story. Underneath the video I will go into some details. Find out at the bottom of that post how you can support me and my work to make this postings/videos possible.

    Here are some details about the Screen Cezanne Scanner:

    • 53x34cm (13.4″ x 20.9″) reflective & transparency scan surface
    • 5300dpi
    • 32-bit CMYK, 48-bit RGB, 8-bit grayscale
    • Interface SCSI II
    • supported formats TIFF; DPS; DCS; SCITEX CT; JPEG; YCC
    • 73kg heavy
    • Software: Color Genius 2.1 and 1
    Still smiling – didn’t know back than what I got myself into again

    Picking it up and bringing it home was a bit of a challenge. But somehow we managed to get it into my studio. Please be sure if you get yourself such a beast, that you put it into lock position before you transport it. Then you can also unmount its wing. Check the Maintenance guide here
    Get as much information as possible from the large format forum thread https://www.largeformatphotography.info/forum/showthread.php?33565-Screen-Cezanne-Users-Unite

    unmounting the wing makes life easier

    Yes, I could have just used the Power Mac (433mhz) that came with the Scanner and it would have been all over. But, then I had to use the use Firewire hdd, or USB 1 connections. Did anybody of you guys ever tried to copy large image files via usb 1.1? So USB 1.1 transfers with about 12 mbit, thats little under one megabyte a second. Believe me, you don’t won’t to copy many gigabytes over that connection. Other than that, the original Mac was pretty slow wit MacOs 9. All tools I describe here are listed here list.mhaustria.com

    There cam a working Power Mac with the scanner – but it was pretty slow

    Thats the reason I got a used Power Mac G4 Quicksilver with dual 1.2 ghz and 2gig (I said wrongly 4gb in the video) of ram. You can see in the video how cool it is and that it came with an Apple Cinema Display in its original packaging.

    picking up the new (old) Mac at night
    what a beauty

    While I set everything up, I got a scary surprise over night, luckily nothing was damaged. More about that in the video.

    lot of broken things, but nothing really broken

    Even it was much faster, I needed to upgrade it with an USB 2 card (be sure to get one with a specific new chipset – (links to it at and everything else here list.mhaustria.com), an ssd, a Power Domain 2930 SCSI card (I got a sealed one, check it out in the video) and an PATA/SATA Adapter. This made the Mac really quick.

    felt like a little kid with all this original sealed packaging

    Long story short, cloning (with carbon copy cloner) everything on the ssd, did not bring any success. Because the old MacOS 9 would not run on the new Mac and the preinstalled Mac OS X would not support the SCSi controller.
    Thats why I installed http://macos9lives.com and MacOS X 10.3.2 Panther from the apple website. MacOS creates easily a multi boot when you install one OS after the previous one. To connect remotely with screen sharing form Mac OS X to Mac OS X you just have to enable the feature. For Mac OS9 install this one: https://www.macintoshrepository.org/155-vine-vnc-server-3-5-for-os9

    you can use screen sharing on your Mac, but sometimes I had the feeling vnc is quicker

    As you can se ein the video, coping files over 1gb ethernet connection is great. I can get about 60 Megabyte a second out of it. that is more than 60 times faster than usb 1.1

    Now everything was setup and ready, I worked on a ultra large format wet plate. That was a great opportunity to see what the scanner can do. This is a 30x40cm collodion wet plate. Shot on an ultra large format camera with a Voigtländer Heliar Universal 360mm F 4.5 Lens

    my 30x40cm ultra large format camera
    The portrait wet plate portrait session with Roman was great.

    Now it is time for the first scans. The results are amazing. Just a little hint for reflective scans. Always try to use a black background, otherwise you get light bleeding into your image. The files this scanner produces are beautiful. There eis not much need of any post processing. That saves so much time. I love it.

    For wet plate workshops (Nassplattenworkshops) check ws.mhaustria.com. For portraits wetplate.art or (German/Deutsch) wetplate.at and if you want to see more street portraits check street-portraits.eu


    Also the negatives and positives look great. Check out the Gallery for more impressions

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
  •  

    Tuesday, December 14th, 2021

    Never give up – a 300mm Zeiss Tessar project with lots of fails

    In todays video I documented my fails (wood working and 3d printing with sidewinder x1 – also building plate change of the sidewinder x1) while I tried to mount my new lens on my camera. I got this lens, because I do more and more wet plate family portraits and for that I wanted a sharp affordable lens. Normally I would show you guys how I did a family wet plate portrait(its online now, scroll down for the second part). But I couldn’t do it, because of our lockdowns. So I worked on a self portrait. To make this easier, I turned my studio into a darkroom, so I can move without getting a ghosty image on the plate. Because I put metal sheets into the ceiling during my studio renovation, I could mount the red light easily with magnets. To see the whole story, watch the video 🙂

    First Part

    Second Part

    To find all the tools I used, check list.mhaustria.com

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here http://shirts.mhaustria.com
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    Tuesday, October 26th, 2021

    Wet Plate Talk and on location shooting at Fomo Graz

    Fomo Graz stands for Fotomonat Graz and translates to month of photography in Graz. The Fomo team invited me to do a talk and also shoot collodion wet plate portraits on location there. Thanks a lot for the invite it was such a great event and also thanks a lot to https://www.atelierjungwirth.com for letting me use your location to work on my portraits there. We had a blast, so many interested people during my talk. I really enjoyed explaining my favourite process to you guys. Also the wet plate portrait shoot was great, so many people wanted their portrait done. I think I shot 22 portraits on that day. Check out the video underneath for more impressions from this event. You an enjoy the video on a 4K screen with HDR support!

    Check out these instagram pages from the people in the video: Fomo Graz , Ana, Luke, Julia

  • Get yourself a beautiful print here: http://prints.mhaustria.com

  • Find all the tools I use here : http://list.mhaustria.com

  • Looking for wet plate gear? http://gear.mhaustria.com

  • Buy me a tea: https://www.buymeacoffee.com/mhaustria

  • Patreon: https://www.patreon.com/mhaustria

  • Get cool analog shirts here shirts.mhaustria.com

  • For online wet plate workshops, visit this http://online.mhaustria.com

  • For private wetplate workshops (Nassplattenworkshop contact me here: http://www.markus-hofstaetter.at/pages/kontakt/ (German and English available)

  • Get the latest news with my newsletter here: https://blog.markus-hofstaetter.at/newsletter-2/
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    Tuesday, March 16th, 2021

    Inspired

    Today I want to inspire you with amazing people in front and behind my camera with my new collodion wet plate portrait project “inspired”. This project will be published in a book, register here to get the latest news about it inspired.mhaustria.com.

    It all started with a Dallmeyer 3B Petzval lens, my dream lens that finally found the way to me. Denis of wetplatedreams.com found it for me. The condition is amazing. So is also the date from when it was made – it’s from 1876.

    Denis is such a passionate person with a lot of knowledge when it comes to historic lenses and cameras.

    wetplatedreams

    And then there is Andreas – his passion is the building process of lens caps. It’s like he is meditating during the process of making one of his beauties. Unthinkable these days that somebody works 5+ hour on a lens cap, but he does. You can see in the video how beautiful one of his outcomes is.

    Andreas

    There were also lots of other people involved who made my inspired portrait project possible. Like Mr. Dallmeyer or Mr. Petzval. More about these gentlemen in my video.

    Now I want to talk about the people that were in front of my camera. 
    One of them is Michael White – a former Producer/Director/Author.
    His historical documentary – Azorian The Raising of the K-129 has received international praise and has been shown by Networks in the US, Europe, Australasia, Asia.
    Also his Book over the same story – Project Azorian the CIA and the Raising of the K-129 received positive critics in the US and worldwide. 
    He worked as special effects technician in his earlier career on many well known movies, like Superman the Movie, Flash Gordon, The Pink Panther, The Never Ending Story Enemy Mine, for name a few. 
    For more information on Michael White visit www.white.at.

    Another person that inspires me with his work is the tattoo artist Manuel Soultan. His tattoos look like vivid three dimensional photographs. He designs every artwork by himself to create a one of a kind tattoo. You can check out his work on his website http://www.msctattoos.at or on his instagram: https://www.instagram.com/manuelsoultantattoos/

    This is just the beginning of the project. You can find already much more amazing people on inspired.mhaustria.com

    If you want to experience yourself how a tintype is made and own a one of a kind wet plate, please contact me via my website http://wetplate.art

    For private wetplate workshops contact me here: http://www.markus-hofstaetter.at/pages/kontakt/
    Or book other ones here http://www.markus-hofstaetter.at/pages/workshops/

    Don’t forget to subscribe to my Newsletter: https://blog.markus-hofstaetter.at/Newsletter/

     

    Tuesday, September 8th, 2020

    Tribute to Borut (Peterlin) and a wet plate workshop with Michael and Philip



    click or scroll down for the English version

    Bei meinem letzten Kollodium Nassplattenworkshop haben wir eine “Tribute to Borut” Nassplatte erstellt und sonst gab es auch viel Spaß.
    Mehr dazu im Video und in der Gallery. Um einen Nassplattenworkshop zu buchen, kontaktiert mich hier: http://www.markus-hofstaetter.at/pages/kontakt/



    Nächste Nassplattenworkshops: http://www.markus-hofstaetter.at/pages/workshops/

    Fine Art Shop: http://www.markus-hofstaetter.at/pages/front_store/
    become a Patreon and support me: https://www.patreon.com/mhaustria

    Wollt ihr immer auf Letztstand sein, benutzt einfach meinen Newsletter ein Newsletter: https://blog.markus-hofstaetter.at/Newsletter/



    English version

    During my recent collodion wet plate workshop we did a “Tribute to Borut” wet plate. You can see in the video and gallery that we had lots of fun during the workshop and also when we made the tribute plate.
    Contact me here for a workshop: http://www.markus-hofstaetter.at/pages/kontakt/



    For private wetplate workshops contact me here: http://www.markus-hofstaetter.at/pages/kontakt/
    Or book other ones here http://www.markus-hofstaetter.at/pages/workshops/

    Fine Art Shop http://www.markus-hofstaetter.at/pages/front_store/

    become a Patreon and support me: https://www.patreon.com/mhaustria

    If you guys want to experience yourself how a tintype is made and own a one of a kind wet plate, please contact me via my website http://wetplate.art
     

    Don’t forget to subscribe to my Newsletter: https://blog.markus-hofstaetter.at/Newsletter/